Othello, The Moor of Venice Essay examples - 1319 Words

Othello, the Moor of Venice is one of the major tragedies written by William Shakespeare that follows the main character, Othello through his trials and tribulations. Othello, the Moor of Venice is similar to William Shakespeare’s other tragedies and follows a set of specific rules of drama. The requirements include, following the definition of a tragedy, definition of tragic hero, containing a reversal of fortune, and a descent from happiness. William Shakespeare fulfills Aristotle’s requirements in this famous play. Aristotle the famous philosopher outlined several requirements in which a play or piece of drama is to follow. The first rule that is met in Shakespeare’s play is that Othello is considered tragic hero, which every†¦show more content†¦Othello’s tragic flaw can be viewed as jealously which ultimately leads to his downfall. When Othello is manipulated by Iago to believe that Desdemona is having an affair with Desdemona, Othello does not change from his good person mentality. However, Othello carries out with the plan for murder for which he believes is a fine reason to end Desdemona’s once previous life to preserve her innocence. Othello is the tragic hero within the play titled after him and because of his title, because of this Othello, the Moor of Venice follows one of Aristotle’s requirements. Aristotle’s second requirement for a tragedy is that the tragic hero must have a reversal of fortune. In the beginning of the play, Othello is seen as content with his new bride: â€Å"For know, Iago, But that I love the gentle Desdemona† (1.2.24-25) . As the play progresses, and Iago’s plan culminates, Othello’s good fortune begins to turn. After Othello returns from war at sea with the Turks, his fortune begins a downward spiral. Shakespeare often focuses his plays on human nature as well as fate, which Othello’s fate ended in the tragic ending due to his reversal of fortune once the claims against Desdemona begin. After Othello learns of a possible affair between Cassio and Desdemona, at this instance is the turning point in Othello’s fortune because it changes his views, attitudes and ultimately his fate. â€Å"InShow MoreRelatedOthello, The Moor Of Venice960 Words   |  4 PagesEvil Skills There are many reasons to hate the antagonist in the play Othello, The Moor of Venice. He is a master manipulator, vindictive, evil person just to name a few. â€Å"Iago belongs to a select group of villains in Shakespeare who, while plausibly motivated in human terms, also take delight in evil for its own sake† (Bevington, 2014); for this reason he is often considered to have demonic traits. Was Shakespeare showing his own personal demons with the creation of the character Iago? AlternativelyRead MoreOthello, The Moor Of Venice Essay860 Words   |  4 Pagesthat the hero possesses. In Shakespeare’s tragedy Othello, the Moor of Venice (rpt. In Thomas R. Arp and Greg Johnson, Perrine’s Literature: Structure, Sound, and Sense, 10th ed. [Boston: Wadsworth, 2009], 1273-1366), there are several contributing factors in the tragic outcome of the play. Iago, the primary antagonist, targets Othello in various ways to obtain revenge and this contributes to the demise of beloved characters. Although Iago and Othello contribute heavily to the final result of the tragedy:Read MoreThe Tragedy Of Othello The Moor Of Venice Essay1743 Words   |  7 Pagesplace for a narrative to begin and evolve from, without a strong setting some texts may be difficult to interpret without extra contextual and historical knowledge of the time period of which it was written. Shakespeare’s The Tragedy of Othello the Moor of Venice written 1603 was set in Italy, in the Venetian Republic . This setting was gaining popularity with Elizabethan writers, maybe as a form of escapism, to have a crypto - catholic approach, as this country was the largest and still is the largestRead MoreOthello The Moor Of Venice Essay1983 Words   |  8 Pages Othello, the Moor of Venice The story of Othello, the Moor of Venice was written by William Shakespeare. Shakespeare got the idea of Othello from a writer by the name of Giraldi Cinthio. The original story, was entitled,† Of Unfaithfulness of Husbands and Wives.† In the original story Disdemona wasRead MoreOthello The Moor Of Venice Essay1801 Words   |  8 PagesOthello, The Moor of Venice The play by William Shakespeare, Othello, The Moor of Venice, was staged for the first time in 1604, is defined as a tragedy, and Othello as a tragic hero. Othello is a tale of jealousy and revenge. The game takes place in Venice, while two friends, Roderigo and Iago, are discussing. Iago has unlucky news: Desdemona, a woman Roderigo hoping to get married to, has already married Othello, a Moorish General that leads the Republic of Venice Army troops, who married inRead MoreThe Tragedy of Othello, the Moor of Venice Essay1142 Words   |  5 Pagesscholars, but also appears on modern historical events and newspaper as well. Playwright and poetry are an art that appeals to the conscious mind, but the best classical playwright such as Othello not only appeals to conscious mind, but also to the subconscious mind. â€Å"The Tragedy of Othello, the Moor of Venice,† written by William Shakespeare from the sixteenth century is a tragic love play, and it is an excellent example of â€Å"Renaissance humanism,† said Paul A. Jorgensen, author of the Twayne PublishersRead MoreWilliam Shakespeare s Othello, The Moor Of Venice Essa y1493 Words   |  6 PagesWithin this essay, I will be analysing the different features and aspects within act 3, scene 3 of the written text Othello, written by William Shakespeare in approximately 1603. I will be discussing the prominent features in the language used within this scene, and I will be exploring why this scene is important in relation to the play as a whole. I will also be discussing within this composition how the distinctive features of the language used within this play could be translated into a liveRead MoreWilliam Shakespeare s Othello - The Moor Of Venice1513 Words   |  7 PagesWilliam Shakespeare’s tragic play: â€Å"Othello: the Moor of Venice† starts out in the place of love and water, the beautiful Venice, Italy. In this play Shakespeare brings to life the true definitions of love, betrayal, jealousy, and revenge. Iago and Roderigo, two characters in the play, that are plotting against the general of the Venetian Army because Iago was n ot chosen to be the lieutenant. Instead Othello chose Cassio. In the quest for vengeance the two tell the very influential Senator BrabanotiRead More Extreme Jealousy in Shakespeares Othello, the Moor of Venice2357 Words   |  10 PagesExtreme Jealousy in Othello, the Moor of Venice      Ã‚   Aristotles Poetics laid out the definition of tragedy: unlike comedy, the purpose of tragedy is not merely to instruct and delight an audience. Rather, its aim is to allow a cathartic release as a result of the heightened emotional state caused by the events of the tragedy. This idea assumes that the average person can experience these intense emotions vicariously. In Psyche and Symbol in Shakespeare , Alex Aronson contends that the charactersRead MoreWilliam Shakespeare s Othello, The Moor Of Venice1216 Words   |  5 Pages William Shakespeare’s famous tragedy â€Å"Othello, the Moor of Venice† is one of the best tragedies in the literary history. Othello has all of the qualifications Aristotle believes to be a tragic hero and he matches up pretty well to them. Aristotle said, â€Å"A man cannot become a hero until he can see the root of his downfall.† According to Aristotle, a so called â€Å"tragic hero† has several characteristics. 1. Usually a noble birth. 2. Hamartia, which is also known as the tragic flaw that eventually

Drug Addiction The Pain And Despair Of Inner Cities

Drug Addiction: The Pain and Despair of Inner Cities Drug addiction has been a destructive element in American society for many decades. It saw a considerable upswing in the 1950 s spreading rapidly through many major US cities. Prior to its infestation of affluent suburban neighborhoods in the 60 s and 70 s, it was associated with low-income neighborhoods striking out the poor despondent underclass. Its rapid spread found its way into the consciousness of the media including many well-known literary and academic works of the time. These works illustrate potential causal factors of addiction including, abuse, mental illness, lack of opportunity, single parent homes and the general poverty associated with the neighborhoods in which they†¦show more content†¦One can conclude a direct physical and emotional impact on both children and families. The continued use pf drugs amongst women this raises concern amongst the public in that they tend to be at greater risk for drug addiction due to past abuse. Furthermore, Barret Davis stat es, While the etiology substance abuse among women is multidimensional a considerable body of research confirms that early sexual victimization is a central factor in female addiction. Studies of women in substance abuse treatment have estimated 30%-75% have been victims of child sexual abuse and rape (Davis, 317). Davis describes the significant correlation between sexual abuse amongst women and how it plays an important role in potential drug addiction. As women experienced feelings of despair, they used drugs as a form of escape. While not expressly a gender specific issue, it is easy to see that both men and women have issued more easily reconcilable with the numbing effect of narcotics. With Women using drugs as an escape to block the wreckage of their pasts, Men in low-income communities use similar techniques to mask their feelings of despair. As Baldwin s Character; Sonny, states: No there s no way not to suffer. But you try all kinds of ways to keep from drowning in it, to keep on top of it, and to make it seem well, like, you. Like you did something, all right, and now you re suffering for it. You know? I said nothing. ‘WellShow MoreRelatedTraffic : The Post Modern Civil War1639 Words   |  7 Pagesofficers, which become entangled in the Mexican cartel war, during a drug bust of one of the cartels. The second story in the movie is about a conservative federal judge in Ohio who has been appointed by the President to the position of director of the Office of National Drug Policy, or the United States Drug Czar. The judge’s daughter is slipping into drug addiction during his turnover process. The third story is about two Drug Enforcement Agents that bust a dealer in the United States that isRead MoreAnalysis Of The Poem Howl 1406 Words   |  6 Pagesliterature written by them. Ginsberg’s ‘’ Howl ‘’ was Beat generation’s first heartbeat, as the poem was first performed at Six Gallery in San F rancisco in 1955 it was the moment when Beat generation was built. As the poem was published in 1955 with the City Lights Bookstore in San Francisco, the poem was considered one of the best American poem to be performed. The members of that movement were professional writers although ‘’Howl’’ was the first foremost Beat generation work to be printed. The beat generationRead MoreThe Portrait Of A Heroin Addict Essay2033 Words   |  9 PagesINTRODUCTION The portrait of a heroin addict. Images emerge of a homeless junkie huddled in the corner of a subway seat at 3:00am feening for his next hit. Or the drug addict laid out on a New York City bench, just skin and bones, with syringes littering the ground below. What probably does not come to mind is a picture of the perky cheerleader rooting her team on to victory at a Friday night football game, nor does a vision of the mother of three living in the suburbs with her husband workingRead MoreAnalysis Of James Baldwin s The Blues And Jazz Essay2185 Words   |  9 PagesSonny, the narrator soon realizes that everyone suffers and from this suffering comes meaning and beauty, like Sonny’s final song. The release of the narrator’s inner tension and anxiety is the typical ending for a blues narrative. For Sonny, the troubled jazz musician, the story mirrors a Gospel narrative as he rises above his addiction and wades through the deep waters of suffering to play this beauti ful music. The drink glowing above his head like the biblical â€Å"cup of trembling† points to theRead MoreGambling a Bad Bet5057 Words   |  21 PagesAugustine, â€Å"The devil invented gambling.† Whether or not one accepts Augustine’s conviction, gambling has been around for thousands of years. Augustus Caesar is said to have sponsored the first known public lottery in order to raise funds to repair the city of Rome. The Bible records that Roman soldiers gambled for the garments of Christ (Matthew 27:35), an action predicted in the Old Testament (Psalm 22:18). In the latter eighteenth century, lottery proceeds helped to fortify Colonial America againstRead MoreDeveloping Management Skills404131 Words   |  1617 PagesWhetten BRIGHAM YOUNG UNIVERSITY Kim S. Cameron UNIVERSITY OF MICHIGAN Prentice Hall Boston Columbus Indianapolis New York San Francisco Upper Saddle River Amsterdam Cape Town Dubai London Madrid Milan Munich Paris Montreal Toronto Delhi Mexico City Sao Paulo Sydney Hong Kong Seoul Singapore Taipei Tokyo Editorial Director: Sally Yagan Editor in Chief: Eric Svendsen Acquisitions Editor: Kim Norbuta Editorial Project Manager: Claudia Fernandes Director of Marketing: Patrice Lumumba Jones MarketingRead MoreManagement Course: Mba−10 General Management215330 Words   |  862 Pagesthough, are part time and most pay far less than the manufacturing occupations they replaced. Some workers at EBS start at the minimum wage of $4.25 an hour and most earn about $6 an hour. The growth of such jobs—which often cluster outside major cities—also completes a curious historic circle. During the Industrial Revolution, farmers’ daughters went to work in textile towns like Lowell, Mass. In post-industrial America, many women of modest means and skills are entering clerical mills where they

English Proverb Example Free Essays

English proverbs 1. When the going gets tough, the tough get going. We will write a custom essay sample on English Proverb Example or any similar topic only for you Order Now † Strong people don’t give up when they come across challenges. They just work harder. 2. â€Å"No man is an island. † You can’t live completely independently. Everyone needs help from other people. 3. â€Å"Fortune favors the bold. † People who bravely go after what they want are more successful than people who try to live safely. 4. â€Å"People who live in glass houses should not throw stones. † Don’t criticize other people if you’re not perfect yourself. 5. â€Å"Hope for the best, but prepare for the worst. † This seems pretty clear 6. â€Å"Better late than never. † This one’s clear, too. 7. â€Å"There’s no place like home. † Your own home is the most comfortable place to be. 8. â€Å"Discretion is the greater part of valor. † Sometimes it’s important to know when to give up and run away, instead of always acting brave and maybe getting hurt. 9. â€Å"The early bird catches the worm. † You should wake up and start work early if you want to succeed. 10. â€Å"Never look a gift horse in the mouth. † If someone offers you a gift, don’t question it. 11. â€Å"You can’t make an omelet without breaking a few eggs. When you try to do something great, you’ll probably make a few people annoyed or angry. Don’t worry about those people; just focus on the good results. 12. â€Å"God helps those who help themselves. † Don’t just wait for good things to happen to you. Work hard to achieve your goals. 13 . â€Å"One man’s trash is another man’s treasure. † Different people have different ideas about what’s valuable. 14. â€Å"There’s no time like the present. † If you need to do something, don’t wait until later. Do it now. 15. â€Å"Beauty is in the eye of the beholder. Different people have different ideas about what’s beautiful. 16. â€Å"Necessity is the mother of invention. † When you’re really in need, you think of creative solutions to your problems. 17. â€Å"A penny saved is a penny earned. † Save your money. 18. â€Å"Familiarity breeds contempt. † When you’re around someone for too long, you get tired of them and annoyed by them. 19. â€Å"You can’t judge a book by its cover. † Things sometimes look different than they really are. A restaurant that looks old and small might have amazing food, for example. 20. â€Å"Good things come to those who wait. † Be patient. How to cite English Proverb Example, Essay examples

Worship and Music free essay sample

Passionately Pursing our God in Music and Worship Music is of Gods creation and an integral part of our lives, yet much of the current experience is one of the most emotionally charged and divisive issues facing the Christian Church, families, and individuals in America today. Pastors, worship leaders, trained musicians, and believers in general face new and powerful forces of change forces that bring renewal to some churches and fear and schism to others. No one can sidestep the hot debate between such matters as the various styles of music, hymns versus choruses, seeker services versus worship services, choirs versus orship teams, organs versus synthesizers, and flowing praise versus singing one song at a time. With billions of Christians across the world and hundreds of denominations, there is certain to be variations in church worship styles. In this paper, I will introduce and address the most common church worship styles, and then, I will discuss what our response should be to corporate worship. Traditional church worship style speaks for itself it is largely based on traditional methods of worship using classical hymns and choruses with no affiliation with contemporary Christian music. Traditional church worship styles are based on traditions and beliefs that stretch back to the beginnings of Christianity which can make it seem more authentic to some. Traditional hymns can often have profound and meaningful histories that many Christians feel a greater connection to than much contemporary Christian worship styles. Music played at traditional church services are typically based around classical hymns by composers such as Handel, Mozart and Bach. There is often an organ, choir, and a piano to provide the music accompaniment (Pinson). In recent years contemporary church worship style has taken over from traditional tyles as churches begin to realize the need to appeal more to a modern generation. During contemporary church worship, the songs sung may be in a contemporary Christian music style such as rock, pop, rap or country. Often they will have a Christian band using modern instruments such as drum kits and electric guitars. The Christian message is not lost in the contemporary style; however, it is Just expressed in a more modern and aesthetically appealing way to some. Contemporary church worship services can be great fun and many are very lively and exciting with great music and a fun-loving atmosphere amongst the congregation. While traditional church worship styles are very scripted and ritualistic, contemporary Christian worship styles are much more laid back and there is much more freedom for expression during the services. Contemporary Christian worship services often have current popular songs as part of their hymn singing particularly those that are currently in the Christian Billboards charts. This has helped keep the church alive among the younger generation (Pinson). Blended church worship styles try and make a balanced mix between contemporary and traditional by incorporating elements of oth into the service. This is often a good way to bring members of all generations together in one congregation rather than separating the old and the young between contemporary and traditional worship style services. Culture dictates worship and practice in emerging church styles. This is seen in the fact that the emerging church Him. God says to worship Him in spirit and in truth Oohn 4:24), but the emerging church finds ways other than what is described in the Bible to worship God. Worship consists of praising God through words and phrases that form coherent thoughts and propositions. It is not an emptying of the mind or any kind of mysticism. Yet the emerging church is a breeding ground of contemplative spirituality. Some use labyrinths to draw near to God. Others marvel at pictures that they paint. Others pray breath prayers which are vain repetitions which seek to empty the mind and literally hear a word from God. These are postmodern methods to worship God (Dorn). The problem is that they are actually old Roman Catholic mystic methods, from which the Protestant church distanced itself. In an effort to be cutting edge, new, and conforming to culture, the emerging church is going backwards in time, epeating mistakes of history. This is why the Bible must dictate worship and not culture. If the church allows the surrounding culture to dictate its practice and means of worship, it will likely be assimilated into that culture, thereby losing its identity, power, and worth (Dorn). Now that we have explored the various worship styles, what should our response to corporate worship be? Worship services are corporate expressions of believers love for the God of the Bible. Because worship is an expression of love for our God, we come together not to seek first what we may eceive out of worship although we receive and need much but how we may first through His enabling grace render our service and worship to the supreme God. As we ask ourselves why all this controversy about music and worship styles, it may very well be that a lack of biblical understanding is a major contributor to this adversarial experience (Eph. 4:13). It seems that many have not really thought through the biblical theology and principles pertaining to this matter of music. Many have used a proof texting approach of incorporating the Scriptures, without the benefit of ddressing Gods Word exegetically and allowing the text to dictate belief and practice. Hence, they are predominately deriving their musical belief and practice predominately from personal man-made preference, taste, traditions, and culture, which in many cases they have elevated to the level of the authoritative God-made Scriptures and make it a test of fellowship. Hopefully, the church will exercise diligent study of the more than six hundred passages in the Scriptures that will gradually define this issue of musical belief and practice in more biblical terms ased on solid exegesis of Gods Word. The purpose of worship is to attribute worth to God (Psalm 27:6), to praise God (Psalm 150:3-4), to lift the emotions of the heart (Ephesians 5:18-19), to learn Scripture and spiritual truths by singing (Psalm 32:7-8), to introduce others to Jesus Christ (Psalm 40:3), to instruct and convict through the proclamation and singing of scriptural texts (Isaiah 55:11; 1 Corinthians 10:31; Ephesians 5:15-21), and to encourage obedience dames 1:25). God is the primary focus of our worship endeavors, but we must also consider the effect of our worship pon one another. John Frame addresses this issue, stating, The focus of our effort in worship should be on pleasing [God]. From this principle, some might conclude that we should not pay any attention to human needs in worship. Talk like that can sound very pious, but it is unbiblical. In worship, we should not be so preoccupied with God that we ignore one another. For example, worshipers should not ignore the edifying to believers (1 Corinthians 14:26). First Corinthians 14 emphasizes the importance of conducting worship not in unintelligible tongues, but in the language nderstandable to all. Even an unbeliever, when he enters the assembly, should be able to understand what is taking place, so that he will fall down and worship, exclaiming, God is really among you (v. 25). So, worship has a horizontal dimension as well as a vertical focus. It is to be God-centered, but it is also to be both edifying and evangelistic. Worship that is unedifying or unevangelistic may not properly claim to be God-centered (7-8) (Zahl and Best). With all this being said, this controversy should motivate us to know what the authoritative Scriptures teach about usic so that we can think and act biblically in relation to the subject. We should be willing to listen to the various views on the subject, but then we must ask, What do the Scriptures teach about that? or What Scripture is used to support that belief or practice? We must be careful to listen to what Scripture teaches and to conform our beliefs to those teachings. Too often, however, Christians approach the subject of music from the opposite direction. They identify what they believe to be appropriate musical standards and begin searching for passages of Scripture to back their position. This is a practice known as proof-texting. Proof-texting often involves the misuse of Scripture and can be used to support almost any conclusion. This practice often causes Christians to embrace standards that go beyond what the Scriptures teach. Many times, these standards are more restrictive than those laid out in Scripture. Though it is not wrong to determine personal standards of conduct for oneself or ones family, believers who choose to follow more restrictive standards must understand their reasons for doing so and must be willing to re-evaluate their standards in light of biblical teaching. Such believers must also guard against holding others to similar standards. Doing so would be akin to Pharisaism. Gods Word was not written to address the specific details of every decision in life. He could have given us a checklist against which we could compare every last song, style, and genre. Instead, He gave us the indwelling ministry of the Holy Spirit to help us rightly divide the Scriptures and the liberty to apply His principles in appropriate ways. He did this not to confuse us. Rather, He intended us to think and act with discernment, to learn from and rejoice in the diversity among our brothers and isters in Christ, whose differing tastes and cultural backgrounds serve as evidence of the universality of gospel truths, and to long for the day when we will see Him face to face Just as He is.